By John A. Walker
When paintings hits the headlines, it is often since it has triggered offence or is perceived by means of the media to have shock-value. over the past fifty years many artists were censored, vilified, accused of blasphemy and obscenity, threatened with violence, prosecuted or even imprisoned. Their paintings has been trashed by means of the media and bodily attacked by way of the public.
In artwork & Outrage, John A. Walker covers the interval from the overdue Forties to the Nineties to supply the 1st designated survey of the main favorite circumstances of artwork that has scandalised. The paintings of a few of Britain’s major, and no more popular, painters and sculptors of the postwar interval is taken into account, reminiscent of Richard Hamilton, Bryan Organ, Rachel Whiteread, Reg Butler, Damien Hirst, Jamie Wagg, Barry Flanagan and Antony Gormley. integrated are works made well-known by means of the media, comparable to Carl Andre’s Tate Gallery install of one hundred twenty bricks, Rick Gibson’s foetus jewelry, Anthony-Noel Kelly’s forged body-parts sculptures and Marcus Harvey’s portrait of Myra Hindley. Walker describes how every one incident emerged, considers the arguments for and opposed to, and examines how each one was once concluded. whereas greatly sympathetic to radical modern paintings, Walker has a few residual sympathy for the layperson’s bafflement and antagonism. this can be a scholarly but obtainable examine of the interface among artwork, society and mass media which bargains another heritage of postwar British paintings and attitudes.
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Extra resources for Art & Outrage: Provocation, Controversy and the Visual Arts
Art & Outrage: Provocation, Controversy and the Visual Arts by John A. Walker